Daasara PadagaLu

bhAgyada lakshmi bAramma! In the next image you can see the songs I had short-listed for this medley. Although they are all exceptional, I have tried to put the most matchable ones together. I am sure there are mistakes. Please feel free to correct it and I shall edit them in these captions. . . Also, do comment the song you listened to, on Lakshmi devi, today. . . ಸಾಹಿತ್ಯ : ಶ್ರೀ ಮನ್ಮಧ್ವಾಚಾರ್ಯರ ದ್ವಾದಶ ಸ್ತೋತ್ರದ ಏಳನೇ ಅಧ್ಯಾಯ ಕನ್ನಡ ಅನುವಾದ : ಶ್ರೀ ಬನ್ನಂಜೆ ಗೋವಿಂದಾಚಾರ್ಯರು . . #karnataka   #haridasa   #haridasaru   #daasa   #dasavani   #haridasa   #daasasahitya   #haridasaru   #haridasasangeetha   #sripadarajaru   #vyasarajaru   #purandaradasaru   #dasapurandara   #vadirajaru   #raghavendraswamy   #raghavendra   #rayaru   #kanakadasa   #kanakadasaru   #vijayadasaru   #gopaladasaru   #jagannathadasaru   #dwaita   #aaradhana   #mundige   #uttaradimatha   #rayaramatha   #srsmutt   #sosalevyasarajamatha   #lakshmi   #godesslakshmi   #shravana

Mundige, the pride of kannada saahitya! . . For those who are new to munDige, they are the word puzzle set by Kannada haridaasas. These munDiges have a mind-blowing hidden philosophical knowledge in them. They are mostly filled with day-to-day examples to explain aadhyaatma. . . Here is one of the most popular mundige by Sri Purandara daasaru. I have tried to create a visual map to understand this muDige. . . Src for the meaning: Pravachana of Vid. Kallapura Pavamanacharyaru on @srivyasarajamatha_official YouTube channel . . #karnataka #haridasa #haridasaru #daasa #dasavani #haridasa #daasasahitya #haridasaru #haridasasangeetha #sripadarajaru #vyasarajaru #purandaradasaru #dasapurandara #vadirajaru #raghavendraswamy #raghavendra #rayaru #kanakadasa #kanakadasaru #vijayadasaru #gopaladasaru #jagannathadasaru #dwaita #aaradhana #mundige #uttaradimatha #rayaramatha #srsmutt #sosalevyasarajamatha #mullu #mullukoneya #mullukoneyamele

Shri Jayateertharu is believed to be the incarnation of Indra with Aavesha of Shesha and blessed by goddess Durga ( Shri Mahalaxmi) with a writing instrument and a piece of areca nut; the former to write with the commentaries on Madhva original works on palm leaves and the latter to smear the writing to make it permanent. . . Shri Vidyaranya, an unrivalled scholar was awe-struck with the extent and depth of the philosophical works of Shri Jaya Teertha, the stately grandeur of style, majestic diction, rapier-thrust like logic, keen and penetrating perception of all meanings and interpretations hidden in the innermost recess of the heart of Madhva, his invincible clinches, his dignified controversial level and his profound acquaintance with the entire mass of literature of other schools. In token of his admiration of this saintly scholar and genius, Shri Vidyaranya seated Shri JayaTeertha, with all his memorable works on a decorated elephant and paraded in a grand procession. If this is